Saturday, 21 October 2017

Blocking Out Difficulties


The dealers and their lobbyists continue to withdraw from and alienate themselves from the heritage debate. AnthroPaulicy now reports:
Katie A. Paul‏ @AnthroPaulicy
W odpowiedzi do @ChasingAphrodit @cwjones89
I “liked” these tweets so @ArtTradeSol blocked me. Haha I didn’t even participate in the conversation (although happy to)
This is part of a pattern:

(see here: james-mcandrew-has-no-solutions-lacks )







and so on. I guess if you are a representative of a group of people who like retards think they can continue to do what they do in the same manner as they always did things in the nineteenth century, ignoring views different to your own may appeal as a possible way to make the problems go away. In the world of the grown ups however, the perception of how to deal with challenges will differ. 


2017 Hadrian Award: Deborah Lehr


Deborah Lehr is the recipient of the 2017 Hadrian Award, presented at World Monuments Fund’s 2017 Hadrian Gala in New York City on October 16, 2017.
Lehr employs her vast professional expertise to safeguard and preserve antiquities under threat from conflict, extremism and looting in the Middle East and North Africa, most notably through the Antiquities Coalition, an organization she founded and leads as Chairman. Her leadership in U.S./China partnerships is also helping to advance sustainable urbanization and green economic development.


Antiquities Coalition

Friday, 20 October 2017

Book on Bible Museum Collection Reviewed


Hamilton Cain reviews the book 'Bible Nation; by Candida R. Moss and Joel S. Baden *(Publisher: Princeton University Press, 223 pages, $29.95.) for the Star Tribune. The book is 'a deep dive into the mission of the hyper-evangelical Green family of Oklahoma City, whose arts-and-crafts retail chain, Hobby Lobby, has yielded billions of dollars to spread the gospel of Jesus Christ'.  The book discusses the Green family’s acquisition of ancient papyri and artefacts forming one of the world’s largest private collections of biblical antiquities, and then the creation of a private Bible Museum to showcase these trophies and act as an evangelical tool:
Moss and Baden deftly highlight the cognitive dissonance at the heart of the evangelicalism, how and why the faithful cherry-pick Scriptures that buttress their own beliefs while dismissing contradictions among the texts themselves, [...] Moss and Baden draw on extensive research and interviews with a revolving-door cast of so-called experts and hangers-on, leaving no proverbial stone unturned in their quest to determine the value and validity of the Green collection, the Bible Museum’s underlying purpose. “Bible Nation” peels away the bark on one of the largest branches of the American family tree, using an academic story to tell a broader one: the evangelicals’ unshakable conviction in their own fantasies and the demonization of anything, or anyone, that dares to challenge them.
.
* Candida R. Moss, is a professor of the New Testament at the University of Notre Dame, and Joel S. Baden, a professor of the Hebrew Bible at the Yale Divinity School 

Found: A Mosaic From Caligula’s Ceremonial Ship, Turned Into a Coffee Table



Sarak Laskon outlines the sort of 'respect' collectors pay to artefacts while 'preserving and displaying' them in their homes. ('Found: A Mosaic From Caligula’s Ceremonial Ship, Turned Into a Coffee Table It’s now being sent back to Italy', Atlas Obscura Oct 20, 2017). Antiques dealer Helen Fioratti acquired a mosaic '45 years ago', it turns out that they has bought an item stolen from the excavations of an elaborately decorated ceremonial ship from the reign of Caligula in the first century A.D. that had been excavated in the 1920s. The mosaic should have been housed in the Ships of Nemi Museum since 1936 but from which it was provbably taken in World War II. The item was bought in the 19660s 'from a family of aristocrats' (anonymous in the articles about this case):
The mosaic, they told her, had been found in Lake Nemi, nearby the family’s home, in the 19th century. She spent thousands of dollars to buy it from them, shipped it to New York, and had it turned into a coffee table, which sat in her Upper East Side apartment for years. In the past months, though, the Italian military police’s Art Recovery Unit and New York’s district attorney office have been working to repatriate stolen Italian art, and the mosaic caught their attention. (It’s not clear exactly how.) 
Now wait a moment. You are an 'antiques dealer', though trading in over-the-top Donald Trump -Rococo  but the name 'Lake Nemi' means nothing to you? Really? and 'found IN Lake Nemi' also? Really? I guess that may be taken to imply that you do not really have to have much of a grounding in art history to become an art dealer in the USA.

The artefact was recovered when the owners bragged about their stuff (Claudio Lavanga, Saphora Smith, 'Artifact From Caligula’s Ship Found to Be a Coffee Table in New York Apartment ' NBC news Oct 20th 2017):
While the art dealer said she didn’t know how the Italian police became aware of the artifact she wondered if they had seen it in a magazine shoot of their apartment. “We had our apartment featured a long time ago in Architectural Digest and I’m sure there was a photograph of the table in front of the sofa,” she said.[...] But the widow said she was saddened to lose the piece. “I don’t know if anyone is going to see it as much as they did in my place. I had people who were interested in antiquities admiring it in my home all the time. Now it will be in a museum with a lot of other things,” she said.
Which is where the plebs like you or I will see it, and not in some elitist private apartment in New York.

Col Bogdanos reminded us that we know very little about Trafficking

Thursday, 19 October 2017

There are customers for everything from Syria and Iraq


Sam Hardy in a post ( There are customers for everything [Für alles gebe es Kunden]’ from Syria and Iraq  Conflict antiquities October 19, 2017I) discusses an upcoming German documentary:
Mitteldeutscher Rundfunk (MDR)/Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland (ARD) will explain ‘how looted Syrian antiquities are sold in Germany [Wie syrische Raubkunst in Deutschland verkauft wird]’.
He outlines the kep points ist will discuss from the diggers and middlemen traffickers (through Turkey, then to Greece, Macedonia, Austria and… Germanyor through Lebanon), the role of Internet traders and finishing with
 The greedy and ignorant market: ‘There are customers for everything [Für alles gebe es Kunden]’, an illicit dealer tells (Syrian) journalists in Idlib province, who are working with the journalists in Dresden. Those customers include ignorant profiteers who form a market for fakes and forgeries.
It is the greedy and ignorant who are buying the stuff, and the fact that they will buy 'anything' that are the real problem.

Vignette: Corruption and the antiquities market

Fragmented Thinking on US Withdrawal from UNESCO


Statement from the Archaeological Institute of America (AIA), American Alliance of Museums (AAM), American Anthropological Association (AAA), American Schools of Oriental Research (ASOR), Association of Art Museum Directors (AAMD), Society for Classical Studies (SCS), U.S. Committee of the Blue Shield (USCBS), and U.S. National Committee of ICOMOS (US/ICOMOS) Regarding the United States of America’s Intention to Withdraw from UNESCO
Interestingly, and disturbingly, we see the same kind of isolationism and blinkered thinking here as we do in the Philistine government's decision to 'go it alone' embodied in the Trump regime's decision. This statement talks a lot about protecting our own heritage and that of others, forgetting that this is only a fraction of what UNESCO does and stands for.It is precisely such fragmented thinking by opinion formers in the US which is responsible in civil society today about what the wider effects of any single action actually are. We all need to practice joined up thinking before we do any more damage.


 
Creative Commons License
Ten utwór jest dostępny na licencji Creative Commons Uznanie autorstwa-Bez utworów zależnych 3.0 Unported.